CURRENT ISSUE
January 2008

- Editor's Note
- The Summer Study Issue
- Inside ABT's New Training Program
Online-only features
- Behind the Scenes with ABT's Raymond Lukens, Rachel Moore and Franco De Vita
- Sharron Miller's DT cover shoot
- Behind the Scenes with Tabitha and Napoleon
- Chatting with the Creators of dre.dance
- What's on Luam's Playlist?
- Hip Hop at the 2008 DTSC with Luam
- Behind the Scenes with Tony Meredith & Melanie LaPatin
How much do you know about Marius Petipa?
Test your knowledge!
How much do you know about Barbara Karinska?
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How much do you know about Lincoln Kirstein?
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Have you ever had to fire a teacher at your studio before?
Tips for Checking Good, Bad, and Dangerous Turnout
by Jennifer Brewer
The Good
When a dancer is standing in proper turnout:
• You can trace a line from the upper thigh to the toes. The femur (thigh bone) will be pointing toward the knee, and the toes will be in a straight line from the knee. (This is true even when hyperextension creates a slight angle at the knee.)
• The pelvis will be in a neutral position.
The Bad
When a dancer is forcing his or her turnout:
• The knees and toes point in a different direction from the femur.
• The feet roll forward.
• The pelvis is tilted forward or back.
The Dangerous
Forcing turnout can result in the following injuries:
• Shin splints and strained arches, from rolling at the foot
• Lumbar verterbral and sacral injury and psoas shortening and pain, from tilting the pelvis forward or back
• Premature osteoarthritis, from chronic misalignment of the body and subsequent inflammation
• Stretched ligaments, particularly in the knee
• Misaligned patellae (knee caps), from rotating at the knee
• Other injuries may become more likely, due to overall misalignmentÂ


